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Christian Writers' Market Guide 2004 Do you want to get your work published–or keep your work published–but you don’t know where to start? With current information on over 1,200 markets for the written word, the Christian Writers’ Market Guide is an indispensable resource for Christian writers.

 

2004 Writer's Market  #1 tool for writers who want to get published.  You'll find detailed listings for more than 8,000 editors who buy what you write. Each entry includes crucial information for making contact in the most efficient, effective way, plus info on what each editor wants, how much they pay, and more.

The Writer's Handbook, 2004 (Writer's Handbook)  For writers who want a reliable one-stop source of top-notch professional advice and quality paying markets. Over over 1,000 pages of essential information, how-to advice, and paying markets they won't find anywhere else! More than 50 invaluable articles filled with professional advice from such prominent writers as Madeleine L'Engle, Lois Lowry, Robert W. Bly, M. J. Rose, Ray Bradbury, and Anne Lamott. Find 3,000 quality book and magazine markets, along with updated details and contact information, and much more. New to this 2004 edition are dozens of "quick-look" checklists for writing, selling, and organizing work more efficiently, as well as extensive sidebars with tips for submitting work for publication, writing queries, and more.

 

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This article sponsored by:
Immediate Fiction: A Complete Writing... Takes the mystery out of fiction writing. You don't have to write about what you know, he says; write what you can imagine. Don't fret if you can't find large chunks of time to write.

AND

 

Chalkdust on the Sleeve of My Soul

Lisamarie Sanders, Editor

PO Box 374

Rixeyville, VA 22737

Editor@Chalkdust-Online.com

 

CALL FOR SUBMISSIONS

Teachers.  We've all had them.  Some were amazing and inspiring; others not-so-much.  But all of them have influenced our lives.

We are collecting true stories for a new anthology series, Chalkdust on the Sleeve of My Soul, and we would like to read yours.

If you are or were a teacher…

Share with us stories of how you chose the field.  What brought you into this overworked, underappreciated vocation?  Why do you stay?  When have you been most fulfilled?

We're also seeking stories of the lessons you learned from your students, your favorite teaching moments, and your advice for others just starting out.

If you had a teacher…

Tell us about the one who changed your life.  The one who made a difference.  Who took the time to show how much s/he cared -- how much you mattered.  The one who introduced you to life or protected you from it.

Tell us about the teacher who taught you more than facts and figures.  Or the one who really knew how to teach.  Share your favorite school memories.

The details…

Submissions must be in English, and should run 700-1200 words.  No reprints will be accepted for the anthology.

Writers of accepted works will receive a $100 honorarium and a copy of the anthology upon publication.

Deadline for submissions is March 31, 2003.

Sample essays and complete guidelines can be found at www.Chalkdust-Online.com.

Another Teacher Antholology

Editors are seeking creative works by teachers for an anthology. All genres are welcome, including fiction, poetry, drama, and visual art. For more
information, e-mail gbc@csu.edu The deadline is May 1, 2003 and submissions should be mailed to Teachers Anthology
c/o Gwendolyn Brooks Center of Black Literature and Creative Writing
Chicago State University
9501 S. King Drive
LIB 210-A
Chicago, IL 60628

 

Writing Creative Nonfiction: Instruction... The contributors (Annie Dillard, Phillip Lopate, Barry Lopez, Terry Tempest Williams, et al.) spend the first half of the book discussing creative nonfiction and the second half demonstrating it. Not only does the format work, but pairing the works of creative nonfiction with the accompanying commentary is educational and entertaining. These authors know how to get published and will help you too!

WideThinker Books

  will be publishing an anthology on
women's sexuality in the near future.

More information can be found at:
www.widethinkerbooks.com/realwomen
DEADLINE: APRIL 30, 2003

A Funny Thing Happened at the Movies…

Updated guidelines

 

NightsAndWeekends.com is looking for funny (or at least amusing) stories about movies – and the role they’ve played in our lives – for an upcoming anthology (working title, Movie Mania).  Tell us the story about a run-in with a movie star, the night you and your friends stayed up all night watching movies, the time you spent working in a movie theater, or even the time you tried to make your very own movie.

 

Submissions and queries will be accepted through February 14, 2003.  Please see the site for more detailed guidelines: http://www.nightsandweekends.com/anthology

 


ANIMALS IN POETRY ANTHOLOGY POETRY COMPETITION

-- Seeking
poems on animals. All submissions considered for publication;No poems returned. All notices SASE; FIRST PRIZE $50.00 plus 5 copies. All published poems receive copy of anthology. Reading
fee $4.00 per poem or $10 for three poems.
Details: http://augment.sis.pitt.edu/jms/spt/sptncc2000.html
 

STORIES NEEDED ABOUT PETS, THEIR OWNERS AND THE RELATIONSHIPS BETWEEN THEM



I am currently working on an anthology of short stories detailing the complex relationships between owners and their pets.  Can be any animal, from a chicken to a pig to a cow, but should show a moral -- teach a lesson, as it were.

The anthology is designed to teach without lecturing, tell without telling, educate by giving examples.  Endings may be happy or tear-jerkers, but all must instill in the reader a small gasp, a small "I never realized that!" so they may grow in their relationships to their animals, and so animals may suffer less in the hands of their owners, even though the owners' intentions are well-meant.

Stories may run between 500 and 2,000 words, and each should be followed by the author's name, address, email (for my purposes only), plus an author's bio of 50-75 words.
At the present time, each author chosen would receive a free copy of the book.  When it is in the printing stage, authors may pre-order copies at cost  to re-sell themselves or give away as gifts, and the person who sells the most pre-sale copies will also get five to ten more free books, depending upon the amount sold.  If the book becomes a best seller, or is extremely popular, they would share in the royalties twice a year.  It is an excellent starting point for the writers looking to make it in this world, and another plus to add to their resume.

Send your contributions via email to me at avisann@wzrd.net by March 1.
 

NEW ANTHOLOGY ON MID-LIFE AND MENOPAUSE

Yitta Halberstam, co-author of the best-selling "Small Miracles" series, is now working on a new anthology of essays and stories about mid-life and menopause for Adams Media, publisher of the Small Miracles series. Stories should be true, positive, inspiring, and upbeat, and help women feel that mid-life and menopause is a positive time for growth, change and new directions.

$100-200 upon publication, depending upon length.  For more information, please contact: Yitta Halberstam at YMYE@aol.com
 



TallGrass Writers Guild
Literary Anthology/Contest Guidelines


Sponsored by Outrider Press in affiliation with TallGrass Writers Guild

Planned publication date: 2003. Diverse writings by writers of all ages,  races, religions, and ethnic backgrounds on the theme of Family Gatherings -  weddings, wakes, reunions, holidays, bar mitzvahs, Superbowl parties, christenings, etc. Working title: You're Invited. Poetry, fiction and  creative non-fiction welcome.

All accepted poetry, fiction and non-fiction submissions will be published in the anthology, with $1000 in cash prizes for First ($500 each for poetry and prose) as determined by independent judges. Also: 2nd and 3rd places, and  Hon. Mention. All winners receive Featured Reader status at the Kick-Off  Reading at Chicago's Printers Row Book Fair, the nation's third largest book  fair of its kind. Each published contributor will receive a complimentary  copy of the anthology. Published TallGrass Writers Guild members not only receive a free copy, they'll also receive free shipping of any additional copies ordered at that time.

Reading/entry fees for each category are $16.50, reduced to $12 each for TWG members. TallGrass is rare among arts organizations in that it neither seeks nor accepts government grants because of the limitations imposed by such funding, sometimes arbitrary and political in their nature. TWG is completely independent and self-supporting. Annual TWG membership fee of $40 (effective July 1, 2002-June 30, 2003) includes six 12-page newsletters each year. Newsletters contain a calendar of upcoming arts events; member news; health
news; book reviews; notices of upcoming TWG Open Mikes and formal readings; and pages of Manuscripts Wanted, listing periodicals, anthologies and  contests seeking writers' submissions.  An entry form for the 2003
Anthology/Contest (available w/SASE)
must be completed and accompany each entry category.


Poetry: Single-page poems to 24 lines - single spacing OK for poetry. Reading
fee for 1-4 poems: $16.50 US/$12 US-TWG member. For 5-8 poems per person:
$33US/$24US-TWG member.

Prose: 2500 word limit per entry; excerpts from longer works permitted.
Reading fee for each entry: $16.50 US/$12 US-TWG member. Maximum two prose
entries per person: $33 US/$24 US-TWG member.

Contestants can submit a combination of up to 8 poems + 2 prose entries for a
total of $66 US/$48 US.


Writers should send two copies of each manuscript (ms.) Plus disk as follows:

§ HARD COPY - Double-spaced manuscript on one side, on 8.5"x11" unlined white paper. Single-spacing okay for poetry. Only laserjet, inkjet or letter-quality dot matrix acceptable; plus: Four-sentence bio; plus:

§ ELECTRONIC - Provide ms. and bio (separate files, please) on 3.5" IBM disk,
using Windows Rich-Text-Format (RTF - our preference), or MicroSoft Word (not Works).  NO ASCII; no centering, bold, italics codes; only Tabs for paragraph indents. Specify word processing program on label + author's name, phone # and e-mail address. No MAC. Disk conversion available at Kinko's or other
comparable computer support centers.

§ Include name, address, phone/FAX numbers (w/area code) and e-mail addresses
on first sheet of fiction; each sheet of poetry. Please include your phone number and e-mail address on every item.

§ Include a stamped, self-addressed #10 (business size) envelope (SASE) for
response. International writers: include international response coupons
(IRCs). Mss. shredded/recycled, not returned. Include a stamped, self-addressed postcard if you wish to have receipt of ms. confirmed.


Manuscripts are read on-goingly; early submissions have a built-in advantage.
Maximize your chances - don't delay.

DEADLINE extended: Postmarked no later than  3-15-03  Mail submissions to:


TallGrass Writers, c/o Outrider Press, 937 Patricia, Crete, IL 60417 USA -
Info: outriderpr@aol.com or TallGrassWriters@aol.com or (708) 672-6630.

Copy this entry form into your word processor and use it to accompany your manuscript.

Literary Anthology/Contest

Entry Form



Name
..............................................................................

.....................................
Address.......................................................................

.............................................


..............................................................................

.........................................


Telephone/E-Mail (required)
..............................................................................

....Category (check only 1 per form; photocopies ok) Prose -__(Fiction) __Prose (Non-Fiction)  __Poetry.
Number of entries submitted within category

Title(s)......................................................................

.............................................................................

.......................
TWG Member Yes ............ No .............

Amount of Reading/Entry Fee Enclosed ..............................

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